Current Moscow time:





Remote Moscow

is a tour performance through the streets of Moscow

for a group of 50 people.

Remote Moscow is a new performance format, produced in the hot and happening genre of the “promenade performance”, the so-called “audio promenade”. Remote Moscow combines the elements of performance, guided tour, computer game and quest.

There are no chairs to sit in, the audience takes full part in the action. Following the voice, the spectators are constantly on the move. The events take place in real time, the city streets provide the set design, people passing by become the actors, while the surrounding reality provides props.

Participants of the show put on their headphones and take off for a fascinating adventure in the streets of Moscow. Together with their computerised interlocutor they explore the city in stereo format.

Age restriction: 12+

Project hashtag: #remotemoscow

The shows are on:

Thursday and Friday at 7:30 pm

Saturday and Sunday at 1 pm, 2 pm, 4 pm and 5 pm

The show is 100 minutes long






20 000


headphone sets




people will see the show

Concept, script and direction: Stefan Kaegi

Research, script and direction Moscow: Jörg Karrenbauer

Sound Design Concept: Nikolas Neecke

Sound Design Moscow: Nikolas Neecke, Ilona Marti

Dramaturgy: Juliane Männel, Aljoscha Begrich

Production Management: Caroline Gentz

Producer: Feodor Elutine

Executive producer: Xenia Anikeeva

Consulting: Yuriy Marychev

Design: Radik Tukhvatullin

Rimini Protokoll

Feodor Elutine

“I lived through Remote X at the international festival in Avignon. Moscow project will be even more interesting”


Graduate of the Theatre Leader School organised

by the Meyerhold Center and Moscow Office of Cultural Affairs.

Member of the Theatre Union of the Russian Federation.

Producer of the “Cops on Fire” performance.

Producer of interactive experience for one person “A game of you”


Helgard Haug, Stefan Kaegi, and Daniel Wetzel have been working as a team since 2000. Each one of them is both a playwright and a stage director.

Since 2002, all their works have been written collectively under the label Rimini Protokoll.

They have been awarded various theatre prizes both in Germany and abroad, including the Faust Theatre Prize, the European Prize for New Theatre Forms and the silver lion of the Biennale for Performing Arts in Venice. Schwarzenbergplatz performance was nominated for the Austrian theater prize Nestroy, while their latest video installation about the defence industry Situation Rooms was shown during Germany’s main theatre festival Berliner Theatertreffen and received the Excellence Award of the 17th Japan Media Festival.

Website Rimini-Protokoll

“We are interested in creating a direct access to reality”

audio partner

car partner

Remote X is a project created by Rimini Apparat in co-production with HAU Hebbel am Ufer Berlin, Maria Matos Munucupal and Goethe Institute in Portugal, as well as Theaterformen Hannover/Braunschweig festival, Festival d’Avignon, Zürcher Theater Spektakel, Kaserne Basel.

It is supported by Berlin’s Capital Cultural Fund and Swiss Culture Council Pro Helvetia, as well as Fachausschuss Tanz und Theater Kanton Basel-Stadt, House on Fire, with support from the European Union’s cultural initiatives program.

• Berlin

• Lisbon

• Avignon

• Hannover

• Zurich

• Basel

• Vienna

• Erlangen

• Abu Dhabi

• Miami

• London

• Sao Paolo

• Bangalore

• St. Petersburg

• Lausanne

• Vilnius

• Santiago

• Le Havre

• Rochester

• Houston

• Helsinki

• Geneva

• Tallinn

• Antwerp

• New York

• Milan

• Karlsruhe

• Paris

• Hartogenbos

• Frankfurt am Main

• Milton Keynes

• Los Angeles




Rimini Protokoll + Elutine Production = ♥